5.11.2006

Mid Latitude Suck-clone

It is May 11, 2006, and in Chicago, Illinois the temperature is a crisp 41, with gusting winds plunging the "Feels Like" meter to 32. That's freezing for all you novice meterologists out there. (0 degrees if you are a Celscius person). I wish there was a "Feels Like" meter that would give readings like: "Fucking cold, fucking wet, and fucking relentless." The green mass pictured above is swirling hatefully counter clockwise directly over my head. It moves neither East nor West, neither North nor South, it just spins and cries it's blowing, chilled tears all over the rooftops and roadways around me. It's starting to test my patience. Current conditions outside are not unlike the state of the atmosphere here in Chicago in the middle of November.

From what I learned in the best class in which I've ever been enrolled, ATMOS 120 (Severe and Unusual Weather), Chicagoans, Chi-subrubians, Milwaukeeians, Cheesers, Auto Workers, Steelies, folks from Ohio, and North-Indies are at war with a Mid-Latidue Cyclone. As defined by www.physicalgeography.net a MLC is a "Cyclonic storm that forms primarily in the middle latitudes. Its formation is triggered by the development of troughs in the polar jet stream. These storms also contain warm, cold and occluded fronts [in the above radar picture you can see all 3]. Atmospheric pressure in their center can get as low as 970 millibars." Now that is some low pressha!

Actual Diagram from UIUC's ATMOS 120

As well as making the weather here brutal at this very moment, MLC's are often responsible for those tempests people from the East coast have dubbed noreasters. "The Perfect Storm" that really messed with Marky Mark and George "The Boss" Clooney was a MLC. Really. For more info on MLC's click HERE.

I am utterly fascinated by weather. One of my hobbies is tracking local storms as they move through my immediate areola. My eyes light up at the prospect of a good Super-cell T-Storm. Doppler radar is in my top 5 bestest inventions of all time, sandwiched right inbetween Cheddar Chesse and College Hoops. Mmmmmmmm, Doppler Sandwich...... sorry. What I'm tring to say is that despite my affinity for weather in general, this storm has overstayed it's welcome, and while I respect the chilly arsenal which it wields, I wish it would move on. Get to steppin' MLC, get to steppin'.

Musical Proclivities Of The Year As Of 2006.3589041

Q - This year, the year Two Thousand and Six, is now:

A) Just over 1/3 complete.
b) Shaping up to be another interesting and enticing musical year.
3) Ready for a couple of Top Fives...
e) All of the above.

A : e

Two Scoops' Top Five Songs of 2006.3589041:

5) T.I. - "What You Know"
4) Gnarls Barkley - "Crazy"
3) Arctic Monkeys - "Fake Takes of San Fransisco"
2) Jenny Lewis with The Watson Twins - "Rise Up With Fists!!"
1) Band Of Horses - "The Great Salt Lake"

Two Scoops' Top Five Records of 2006.3589041:

5) Destroyer - Destroyer's Rubies
4) The Strokes - First Impressions of Earth
3) Jenny Lewis w/ The Watson Twins - Rabbit Fur Coat
2) Arctic Monkeys - Whatever People Say I Am, That's What I'm Not
1) Band of Horses - Everything All The Time

So to summarize, I am a fan of Band of Horses, and you might say they are galloping over the competition for playing time on the dPod . . .

The BUZZ!!

Here are a couple of artists that I've recently been listening to that are surely climbing the charts in my musical mind.

Figurines - Skeleton
Tapes 'n Tapes - The Loon

Both of these records are deck as all get out.

Also, keep an eye out for Lupe Fiasco, a Chicago MC and a sure fire bet to blow up this summer. He's got a few mixtapes that are hott on the streetz right now, with his debut, Food & Liquor, set to drop on June 27th. Oh, and "Kick Push," Lupe's first sing-lay, could be the best rap track about stakeboarding in the history of rap tracks about skateboarding. I'm jussayin'... Watch the video by clicking HERE.

I ask you now, as I have asked you before, what are YOU listening to?

5.08.2006

Giggity...

From Pitchfork:

Glenn Kotche Talks New Wilco Record

Wilco's next album is still shrouded in quite a bit of secrecy, but we received a small peak behind the curtain recently, when Pitchfork caught up with drummer Glenn Kotche. He's busy promoting his new solo album, Mobile, which dropped via Nonesuch in March; as announced on Friday, he'll perform at the Pitchfork Music Festival in Chicago's Union Park on July 30.

For the time being, Wilco remain in the writing and demoing stages of the recording process, utilizing their Chicago loft to do so. As reported by Billboard.com last month, new tracks "On and On and On", "Walken", and the tentatively titled "Either Way", along with one or two others, have made their way into the band's live set. "I think anyone who's heard them can see stylistically that it's pretty much all over the place right now," Kotche told Pitchfork.

"I'm kind of happy right now that we're not trying to affix any sort of concept to the record," he continued. "We're not saying, 'Oh, it's going to be this type of record or this type of record.' We're just getting together. We set up in a circle and come up with ideas. Some of them are songs Jeff has fleshed out, some of them are completely written on the spot. Someone plays a riff, and it goes from there.

"At this point, I just think we're making songs, crafting songs that we like and stylistically kind of letting the record shape itself instead of forcing a mold upon it... We're more going to keep this one about the songs instead of trying to make a statement with the record."

The goal is to forge on until Wilco have completed 30 or so songs, at which point they'll whittle that number down to fit the album. In the meantime, fans might be able to hear a new tune or two on the group's upcoming North American tour. The trek kicks off in Calgary in late June and wraps up in early August.

From Billboard.com:

Wilco Testing Out New Tunes On Tour

Wilco has been road-testing material intended for its next Nonesuch album and will return to the studio next month for more recording, drummer Glenn Kotche tells Billboard.com. The group has no firm timetable for the release of the as-yet-untitled set, which will be the follow-up to 2004's "A Ghost Is Born." "We already have a dozen-and-a-half songs demoed, but not all finished," Kotche says. "Maybe four or five have creeped into the live set." Among them are the tentatively titled "Either Way," which Kotche describes as "a beautiful soul number closer to Bill Withers" and "On and On and On," which is "a gorgeous ballad with a build throughout the whole song." Kotche says a third new song, "Walken," is "a swamp rocker with total, full-on guitar" that "wouldn't sound of out place on [Wilco's 1995 debut album] 'A.M.'" Overall, Kotche says the material is "kind of all over the place. We're going to continue demoing to see what shape the record takes. We're not really forcing anything. We're just writing songs that we like and crafting good songs together. We'll see what rises to the top."

Wilco will be back on the road in July and August, including a hometown Aug. 6 appearance at Lollapalooza in Chicago. "We're slowing down, but slowing down for Wilco means we'll have one or two months off this year instead of none," Kotche says with a laugh. As previously reported, Kotche is also playing a host of shows in support of his recent Nonesuch solo album, "Mobile."

Asked what he sees as the biggest change in Wilco since he joined in 2001, Kotche says, "Even before that, the precedent was set that no two records were the same. That's the cool thing about Wilco. We make things we like to hear that we're going to want to listen to in 10 or 20 years. I think they were doing that before I joined. Stylistically, it has gone in some different directions. Musically, there are some amazing musicians in the band now, like [guitarist] Nels Cline. We're able to tackle a lot more and a lot more different stuff than Wilco previously had."


From Popmatters.com:

"A new song, "Walken", is a breathtaking display of Zeppelin riffage (if there's one thing that often gets lost on Wilco's records it is just how hard the band rocks)."

LISTEN TO "WALKEN / TALKING TO MYSELF ABOUT YOU" HERE!!!



On Asterisks And Assholes...

Those who know me know of my unparalleled disdain for bloated San Fran slugger, Barry Bonds. In fact, I’m somewhat disgusted that I am consciously contributing to the unnecessary glut of press this vile human receives, so I’ll keep this relatively brief.

On my drive to Elgin this morning, after enjoying 3 hours of the all-eclectic all-the-time dPod shuffle, I kicked it over to ESPN Radio 1000 for the Dan Patrick Show. I tuned in just in time to catch the hour during which D.P. riffs with Keith Olbermann, former SportsCenter anchor and current host of MSNBC’s Countdown. Much to my dismay, they were discussing Barry Bonds and the whole thing about the home runs, and the Babe Ruth, and the records, and the celebrating. . . Despite said dismay, I continued to listen.

Here’s what I learned:

1) After hitting what could only be described as a Babe Ruth-ian shot to right at Philadelphia’s Citizen’s Bank Park, the ball was corralled by Carlos Oliveras (pictured here), as US Serviceman, and wouldn’t you know it, a Bonds fan . . . in Philly.


2) After the game, Oliveras asked Bonds for an autograph. Bonds REFUSED.

3) In a fitting twist of irony, it was Bonds who needed Oliveras’ autograph, on a waiver, so that Oliveras could be shown Barry’s shite reality show, Bonds on Bonds. (Barry still claims that he doesn’t care if people like him, despite participating in this obvious attempt to win fans). Oliveras obliged.

4) Keith Olbermann would actually be happy if Bonds suffered a career ending injury tomorrow morning. Although I don't normally wish ill on others, I’m with you on this one, K.O.

These events provide further evidence that Barry Bonds is the most detestable figure in the history. More so than The 1919 Chicago Black Sox. More so than Tonya Harding. More so than Mike Tyson.

Anyway, last night the unfathomably rowdy Philly fans got creative and came to the ballpark armed with asterisk signs, representing the asterisk that will go next to Barry’s home run total when he is officially exposed as a cheat and a liar. While these asterisks are quite effective in getting the message across, I think a differently designed asterisk would be more appropriate in this situation. I propose that fans use this asterisk:


This, (photo courtesy of bd) of course, is Vonnegut’s Breakfast of Champions illustration of an asshole, that looks remarkably like an asterisk with a couple of extra lines. This famous literary symbol should become Bonds' own special ass-terisck. I can see the record books now . . .

"Barry Bonds* (asshole) had 756 career home runs. " Brilliant.

5.07.2006

Spiders Are Gettin' Twenty Dollar Car Washes


With law school now complete, and the lease on my St. Louis third floor walk-up ending in late May, today I start the process of phasing out the STL era of my life. I am purging all kinds of law school related documents, selling clothes to the local resale shops, attempting to cleanse the space that has so kindly housed me for the last 2 years, and packing up my gasoline chugging SUV to the gills with books, clothing, appliances, and any and all other possessions that I belive will have some function during the inception of the Chicago era of my life.

In preparation for tomorrow's drive to Chi-suburbia, I took care of the aforementioned eco-not-so-conscious Jeep, by giving it some internal medicine (Xpress Lube) and a trip to the spa (Clayton Car Wash) for a bath, massage, and some new perfume. After being duped by a particularly well spoken Xpress Lube sales associate / lubrication technician into purchasing some kind of supplemental engine cleaner, I ghost rid my whip over to the car wash. While waiting in line at this Clayton hotspot, I, as requested by the obligatory car wash sinage, rolled up my windows, turned off my stereo, but I did not, nor have I ever, removed my antenna. Does my rebellious nature shock and amaze you?

As my Wilco bootleg was silenced due to the commands of my chosen automobile wash locale, I thought to myself as I so often do, why? Why am I supposed to make my car silent for the car cleansing batallion about to make my envronment-hating silver tank twinkle and glisten? I find this peculiar request to be somewhat farsical, but I acquiesce with regularity. The last thing I desire is to shake up the seemless, well-oiled machine that is the Clayton Car Wash. I pulled my chariot up to the orange cones, ordered myself up an Appearance Pakage for $19.99, and went quickly to the view windows so I could marvel at robotic intricacy that would soon, with an unrelenting barrage of foamy chemicals and high powered H2O, remove all accumulated grime, pollen, and avian urea.

After purchasing my baby powder air freshening square and slipping the terrycloth wipedown warriors a five dolla pourboire, I hopped in my car, eased my way back on to Hanley and headed home to start boxing up abundantly highlighted and marginalia filled law-school case books, a smattering of dusty novels, non-fictions, and other 'reading for pleasure' sorts of literature. (Some of which have actually been read for pleasure, others sans even the tiniest crease in the pages or spine). During the short drive back to the dojo, I returned my windows to the down position. What I did not have to do, however, was re-attach my antenna (becasue I choose to defy this request), and re-activate my stereo. It was on! Could it be that there is a dissenter in the ranks of the cobalt-blue clad car wash employees??

Now, I'm certainly fully resigned to the possibility that while the teenage attendant was in the fuel feind during the wash wiping down the interior (a feature uniqued to the Appearance Package), he bumped the on button with his Windex soaked elbow thus exposing him to the jammy freakout part of a 10 minute version of everyone's favorite Wilco song about yuppies, "Spiders." BUT, it is equally probable that he pressed that button with the requisite mens rea to activate the stereo, just to see what was on. I imagined what I would do were I the one donning the simple yet stylistic logo of the Clayton car wash, were I the one administering the 20 dolla car wash and not the Spider paying for said car wash.


I would hit that button every time without exception. I believe you can tell much about a person by looking that the music they enjoy. Being a music addict myself, the curiosity formed by all those silent car stereos would be far to great for me to withstand. I would cave every time like Pete Doherty in front of a crack pipe or a loaded syringe. Not to mention this auditory voyeurism would certianly provide a modicum of entertainment in an otherwise monontonous employ. I hope that teenager enjoyed the layered, complex tune that heard, because I sure did on my way home . . . in my shiny clean Jeep. . . 20 dollars well spent.

5.01.2006

In Which The Author Contemplates Starbucks, God, Sigur Rós, His Father, and The Federal Rules of Evidence

Allow me to start out by writing that the disjointed narrative that you are about to read (or not read) is partially inspired, in a way, by Starbucks. Some interesting information passed on to me by M.P.C. and A.C. Henry a short while ago clipped my whole-hearted disdain for the corporate coffee peddler many love to hate and hate to love. A.C. Henry had read in some reputable periodical that the Bux actually ensures the growers of their beans are paid well and treated kindly, and gives back to the communities in which they dig their caffeinated claws. Fair enough.

The degree that I trust the American media multiplied by the faith and respect I have for friends’ opinions equals me buying, in concept, the affirmation of Starbucks’ more redeemable qualities. Add to that the not so unbelievable fact that Starbucks is the coffee purveyor most proximate to my living quarters, and the need for a quick brew during finals, and you have the ultimate result that I have been patronizing a business that I once believed to be emblematic of all things heinous in American corporate culture. While I remain steadfast in my preference for independent coffeehouses, I’ll take a Bux cup if my options are limited or my time is constrained.

The last Venti™ coffee I purchased was this morning at about 7:30, just before I decided to pin myself to the hard cherry of the chairs in the law school’s reading room, and cram for an hour before my Evidence examination. This was more than a cup of coffee. It had a message for me. The message read (click image to enlarge the photo):


I didn’t notice this liquid receptacle inscribed memorandum at first. Perhaps it was my general ambivalence for the white boredom of the Starbucks cup that kept me from reading the message, or perhaps it was the message blocking cardboard sleeve that promotes the Bux’s use of “recycled post-consumer materials” while shielding my flesh from the molten java that lurks inside. Who knows? But the words did catch my eye at about 8:30, long after the coffee was gone and coursing through my veins, but only fifteen minutes before I was to pick up my exam.

After discovering that my Earthly existence was not a gaffe, and that God was cool with me, I slipped off the now useless sleeve and read the rest of the passage, an excerpt from Rick Warren’s “The Purpose Driven Life.” As I read (all the while pondering why Starbuck’s would put such a non-secular message on a coffee cup (I ultimately decided it had something to do with money)), some odd coincidental occurrences swirled about around me.

The reading room, on a cloudy morning, is a place conducive to calm scholarship, graced with just enough light to keep a jaded third year student awake and studying. As I was reading my cup, the clouds broke and a beam of sunshine pierced the perpetual academic dawn of the reading room. I found this to be unsettling and creepy, rather than what one may have found a pleasant happenstance (or a sign from the heavens if you buy that sort of thing, which I don’t).

As the flukeish sunlight beamed, the fourth untitled track on Sigur Rós’ “ ( ) “ pumped in the dPod, through the ear buds, and into my ears. For the finals phase in law school, I have developed a pre-examination playlist. The tracks enshrined in this set, which I have maintained since the 30 minutes before my initial law school exam, are joined by their ethereal, atmospheric composition. Some contain lyrics (focusing on songs in which I feel the words blend with the sonic drive of the composition; songs where the vocals may as well just be another instrument). Others are wholly instrumental. To give an idea of what I’m failing to explain with words, some standouts are “Untitled,” Interpol, “How to Disappear Completely,” Radiohead, “Approaching Pavonis Mons by Balloon,” The Flaming Lips, and the aforementioned Sigur Rós selection. You dig?

Anywho, the bizarre part about this particular song coming on at this particular moment is that I associate this song (and the whole “ ( ) “ record) with a very specific, very traumatic piece of my life. This record (especially this track) was on perpetual repeat in my head in the months after my father passed away in November of 2002. The record is so profoundly sad. It appears easy for musical artists to write a sad song or a sad record, but “ ( ) “ is sad on a whole different level. The sound strikes at the core of this most central human emotion. An attentive listener can’t help but feel a wash of misery glaze over them. This is magnified by the fact that the meaning of language, at least language that most English speakers can comprehend, plays absolutely no role in conveying this sensation. (Certainly, however, the inflection of the vocalist is key in this sullen conveyance). Sigur Rós lyrics are some form of hybridized English & Icelandic, as well as a language that they invented. Whatever they are saying, you can’t understand it. You just know its not about sodey-pop and butterflies.

The songs of “ ( ) “ are forever tattooed in my brain as my companions on walks to class down Green Street in Champaign, Illinois; walks to class made in the bitter cold while hiding behind my black scarf, walks to class braving sharp winds that feel as if they blew from Lake Michigan, through cracked, harvested cornfields and straight to my face, walks to class in which I felt truly alone. I cherish these walks. I returned to Champaign to finish my semester just 5 days after my father’s funeral. Upon my return I had no drive to excel, no drive to impress anyone (for the only person I ever wanted to impress was now gone), and no drive to feel, to feel anything at all. This Sigur Rós record, so undeniably woeful, and these walks during which I fell in love with this record, helped me to start the very preliminary process of grieving on my own schedule, by myself, at school. Needless to say, it is a powerful and meaningful record for me.

So imagine my predicament, sitting in that damned reading room (a place I rarely go), reading a message from God on a Starbucks cup, envisioning myself plodding down Green Street as a senior in Champaign, preparing to take my second to last law school examination, an exam based on the most fascinating of legal topics, the Federal Rules of Evidence. It was quite the peculiar mental quandary in which I found myself immediately prior to a three hour period in which one really has to focus relatively intently on the intellectual dogfight in front of them.

What was I to do? Rather quickly, after jotting some notes to write this account, I was able to pull myself out of my own head and get to the task at hand, punishing my Evidence exam. And that’s it. That’s my story. That's how a passage about God, from a book I will never read, emblazoned on a corporate coffee cup, accompanied with some great music and the light from the closest star to our planet, made me think of my father and inspired me to write again. Anti-climactic, you say? I agree. I guess that's just the way life is sometimes...

(As finals draw to a close and free time once again becomes plentiful, I hope to write more frequently and with more regularity, aiight?. . . Thanks for coming back to DDCD).